Wednesday, March 31, 2010

DLSODW Update

The Dead Letters Spell Out Dead Words tape should be ready within the next week and a half.

We're really excited about this. Here's a sneak peak of the cover:

Congratulations to our friend Jenks (Horseback)!

Looks like Jenks will be working with Relapse on his next album.

We expect the Locrian/Horseback 7" (Turgid Animal) to be out before long...

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HORSEBACK Sign To Relapse Records --- 3/31/2010

Relapse Records is proud to announce the signing of North Carolina’s HORSEBACK.

HORSEBACK, the brainchild of Jenks Miller, has released two full-length albums since forming in 2007. The band’s second full-length, The Invisible Mountain, will be re-released through Relapse later this summer. Audio samples from The Invisible Mountain and more can be heard online now via the HORSEBACK MySpace: MySpace.com/HorsebackNoise.

Miller commented on the signing; "Horseback is an ever-evolving project which will explore a variety of sounds and approaches in its lifetime. I am glad to have the opportunity to work with Relapse, and have long admired their commitment to new and challenging music."

HORSEBACK is currently writing for the follow-up album to The Invisible Mountain, a companion album that is tentatively titled Half Blood. Additional details on this release will be announced soon.

HORSEBACK will take part in the Hopscotch Festival in Raleigh, NC this September. The Hopscotch Festival is presented by Raleigh’s Independent Weekly and this year’s fest will also include PUBLIC ENEMY, PANDA BEAR, LUCERO, HARVEY MILK, OCEAN, and many more. Additional information on the festival can be found here.

Locrian Show w/ Ludicra Announced: Saturday, April 10th w/ Ludicra (Profound Lore Records)


Facebook link here.
Last.fm link here.

This show will be on Saturday, April 10th at the Underground Lounge (NOT THE CAVE)
952 West Newport Avenue
Chicago, IL 60657-2313


Show starts at 8:30pm. Cost = ???

Ludicra myspace link here.

Tuesday, March 30, 2010

Photos from Lenny Gilmore from "Territories" Release Show




Locrian Photos and Mention in Chicago Reader

There's a shot of Terence Hannum performing at the "Territories" release show on the Chicago Reader blog. This great photo was taken by Carmelo Espanola.

Locrian is also mentioned in the recent article in the Chicago Reader about White/Light's residency at the MCA. There's a link to the article here.

Monday, March 29, 2010

Land of Decay Related: PROFANED MISSIVE zine by T. Hannum


For those of you who so graciously supported our first printing endeavor New Rites a few months ago and maybe even followed up with a purchase of Black Arts Locrian member Terence Hannum has not stopped, we have a limited quantity of his most recent publication Profaned Missive.

Profaned Missive was commissioned by the Admirals of Vice at Fan Death Records for their upcoming ritual of sound and violence the DNA Test Fest III in Baltimore, MD that features some of our fellow heretics Pissed Jeans, Psychedelic Horseshit, Birds of Maya, Sightings, Neon Blud and many many more.



8.5" × 5.5" / 20 pages. Xeroxed silver cover with a black-on-black insert containing a screed against infidels with a oversized fold-out and pro-printed color copies of drawings. Edition of 100 of which the majority will go to the first in line at the festival.

$10ppd (US) / $12ppd (World)
Paypal to landofdecay(at)gmail(dot)com

Sunday, March 28, 2010

"Territories" Review from Ondarock.it

Link here.

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LOCRIAN
Territories
(Small Doses) 2010
ambient-drone, black-metal, noise
di Francesco Nunziata
plus
less
Coadiuvati da Mark Solotroff (Bloodyminded, Anatomy of Habit) alla voce e al sintetizzatore, Blake Judd (Nachtmystium) alla chitarra, Bruce Lamont (Yakuza) al sax e Andrew Scherer (Velnias) alla batteria, Andre Foisy e Terence Hannum dimostrano, con “Territories”, di voler puntare ad un suono ancora più oscuro e “profondo”.

Sempre pregna di quell’angoscia cosmica figlia di una quotidiana desolazione, la loro musica è una miscela particolarmente originale di umori e tensioni disparate, giungendo anche in pieno territorio black-metal durante il piccolo cataclisma di “Procession Of Ancestral Brutalism”. Bisogna, comunque, rilevare che, in questo caso, sono pochi i momenti davvero esaltanti, con una prima parte che si lascia preferire ad una seconda un tantino troppo ripiegata su se stessa, per non dire “manierista”.

Così, se la tetra distesa sci-fi di “Ring Road” non fa altro che continuare a sviluppare le idee di “Between Barrows” (quest’ultima, impreziosita da gelide ferite di sax), la malinconia infinita di “Antediluvian Territory” e il pathos marziale di “The Columnless Arcade”, pur se fascinosi, non vanno a segno come vorrebbero o come dovrebbero. Si ripeschi, infatti, la lenta parata funerea di “Inverted Ruins” e non sarà difficile rendersi conto della qualità altalenante dell’opera.

Che "Territories" sia stato salutato, poi, come il momento culmine della loro ispirazione, dimostra quanto poco si siano ascoltati i lavori precedenti, cui vi consiglio vivamente di tornare.

(27/03/2010)

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Here's a terrible translation below. If any of our Italian friends feel like translating this then we'll be happy to post it.

Strangely, I was listening to Sigillum S's (Italy) newish Wroclaw 071111 CD, a beautiful album in a fantastic package, when I found this.


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Assisted by Mark Solotroff (Bloodyminded, Anatomy of Habit) on vocals and synthesizer, Blake Judd (Nachtmystium) on guitar, Bruce Lamont (Yakuza) on sax and Andrew Scherer (Velnias) on drums, Andre Foisy and Terrence Hannum show with " Territories ", to want to aim for a sound more dark and" profound. "

Always full of anguish cosmic daughter of a daily desolation, their music is a very original mixture of disparate moods and tensions, coming in full black-metal territory during the cataclysm of small "Procession Of Ancestral Brutalism." One must, however, noted that, in this case, there are few truly exciting moments, with a first part that is left to a second preferred a little too inward-looking, to say the "Mannerist".

Thus, if the gloomy expanse of sci-fi "Ring Road" does nothing but continue to develop the ideas of "Between Barrows" (the latter enhanced by cold injury sax), the infinite melancholy of "Antediluvian Territory" and martial pathos of "The Columnless Arcade, although fascinating, are not going to sign as they would like or as they should. They fished, in fact, the slow funereal parade of "Inverted Ruins" and will not be difficult to realize the fluctuating quality of the work.

That "Territories" has been hailed, then, as the highlight of their inspiration, shows how little we have heard earlier work, which I recommend you return.

(27/03/2010)